Vol 12 Number 7
CD Review for 'Hard Luck"
The first piece of information that attracted me to Hard Luck, an independent release from young North Carolina via Kansas guitarist/singer, Matt Walsh, was a testimonial from former Muddy Waters guitarist Bob Margolin. Bob knows what he's talking about when it comes to the blues and he's always been very supportive of younger musicians, especially if they play the old school blues.
With his perfectly coifed hairstyle and long sideburns, Walsh looks more like a rockabilly cat than a bluesman. In fact, the novelty vocal group Sha Na Na was one of Walsh's very, very early influences, and he's got the hairstyle to match. But the groove he puts out on Hard Luck is, without a doubt, deep Chicago blues. What's most impressive is that each of the dozen songs on the CD were written by Walsh. If this guy rode a time machine back to the early 1950s, he could probably line up a gig as a house songwriter at Chess Records.
Walsh is not the greatest singer around but he's certainly competent, and his guitar playing shows great potential. He's got a very good feel for the material that he's doing. It's raw, primitive blues recorded appropriately to give it a raw, primitive sound. The music is infectious, especially the more you listen to it.
I hesitate to compare the sound on Hard Luck to the work of Margolin since Walsh has his own thing going on here, but it's a fair comparison for the purpose of setting an expectation level. In fact, Margolin appears as guest guitarist on two of the cuts, the uptempo shuffle "Leaving My Baby" and the title cut, "Hard Luck." He also helped with most of the CD's final mix.
Highlights on Hard Luck include the sparse "Breakin' Up Over You," with Walsh's acoustic guitar accompanied by Rene Aaron's fine harmonica playing. In addition, Walsh shows that he's got a slide and knows how to use it on the exciting "20 More Miles."
Walsh shows his versatility on two of the later cuts, doing more of a late night, T-Bone Walker style blues, "Sit and Wonder," with exquisite guitar playing. Very nice! The closing cut, "Woody's Rag," is a foot-tapping ragtime number, featuring guitar, upright bass and harmonica.
There's much more to like about this disc; there's not a weak but among the dozen songs on Hard Luck. For more info on Walsh, check out his site at www.mattwalshblues.com or order the CD from CD Baby.
--- Bill Mitchell